Lingam: Zwölf asiatische Novellen by Max Dauthendey

(7 User reviews)   1414
Dauthendey, Max, 1867-1918 Dauthendey, Max, 1867-1918
German
Okay, so picture this: it's the early 1900s, and a German writer who's never actually been to Asia decides to write a whole book of stories set there. Sounds like a recipe for disaster, right? That's what makes 'Lingam' so weirdly fascinating. Max Dauthendey spins twelve tales from Japan, India, and Indonesia, all from his imagination back in Germany. The big question hanging over every page isn't just about the plots—which are full of love, ghosts, and cultural clashes—but about the author himself. Can you truly capture the soul of a place you've only dreamed about? Is this a beautiful act of creative empathy, or is it just a European putting on a literary costume? Reading 'Lingam' feels like uncovering a secret, slightly awkward time capsule. It's less about getting a perfect picture of Asia and more about watching one man's bold, flawed, and deeply personal attempt to bridge two worlds with nothing but words. If you're into historical oddities or stories about storytelling itself, you'll find this collection strangely gripping.
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Published in 1909, Lingam is a collection of twelve short stories, or novellas, all set in Asia. The author, Max Dauthendey, was a German poet and painter associated with the Symbolist movement. Here's the twist: when he wrote these stories, he had never traveled to the continents he was writing about. He built his versions of Japan, India, and Indonesia entirely from research, art, and his own vivid imagination.

The Story

There isn't one single plot. Instead, you get a dozen different windows into Dauthendey's imagined East. One story might be a quiet, poetic romance set in a Japanese garden. The next could be a tense drama about colonial encounters in the Dutch East Indies. Another might dip into folklore, featuring spirits and local legends. Characters range from geishas and monks to European travelers and mythical beings. The common thread is the setting—a lush, atmospheric, and entirely constructed Asia that feels both familiar and fantastical.

Why You Should Read It

Forget reading this as a straight-up guide to Asian culture. You read it for the unique, almost paradoxical experience. It's like watching a masterful stage play where you know the backdrop is painted, but the emotions feel real. Dauthendey's prose is lush and sensory—you can almost smell the incense and feel the silk. The stories themselves are often simple but charged with feeling. The real intrigue for me was the meta-layer: you're constantly aware of the author's position, trying to connect across a huge cultural gap. It makes you think about how we understand other places, and the power (and pitfalls) of artistic imagination. It's far from perfect, but it's genuinely interesting.

Final Verdict

This book is a niche gem. It's perfect for readers who love literary history, enjoy beautiful descriptive writing, and don't mind a bit of historical baggage. If you're looking for authentic, own-voices Asian literature, this isn't it. But if you're fascinated by the era of early 20th-century German literature, or curious about how artists try to capture the 'foreign,' Lingam offers a compelling and conversation-starting read. Think of it as a historical artifact that's also a pretty good story collection.

Thomas Torres
9 months ago

After finishing this book, the author's voice is distinct and makes complex topics easy to digest. I learned so much from this.

Jessica Harris
3 months ago

Amazing book.

5
5 out of 5 (7 User reviews )

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